Issue 9

April - May 2013

    • State of the Art

      Cry Me A River

      Sentimentality and the city by Pablo Larios

    • Logistics

      Off the Clock

      In this series, frieze d/e asks artists to discuss the logistical background to their works. Bettina Pousttchi explains why she travels around the world photographing clocks by Bettina Pousttchi

    • Fashion

      Cross Dressing

      Tracing the vexed routes of global fashion exchange by Esther Buss

    • Affinities

      Walser in Berlin

      In this new series, frieze d/e asks an artist to discuss ties to a past figure’s work. Here, Tacita Dean explains her connection to Robert Walser by Pablo Larios & Tacita Dean

    • Dance

      Dance Moves

      A ‘laboratory of mixed emotions’. The uncanny world of Meg Stuart’s dance pieces by Astrid Kaminski

    • Trouvaille

      Trouvaille

      Artist Aleksandra Domanović picks out her favourites from the ebb and flow of culture by Aleksandra Domanović

    • Film

      Building Time

      For 20 years, filmmaker Heinz Emigholz has been documenting icons of Modernist architecture by Bert Rebhandl

    • Music

      Surround Sound

      Beyond techno. The many sides to Berlin’s PAN records by Geeta Dayal

    • Survey

      Braucht Berlin eine neue Kunstakademie?

      A survey including statements and sketches from 30 contributors by frieze d/e

    • Monograph

      House of Dada

      From his early Dada and Surrealist photomontages to his later New York fashion shoots, Erwin Blumenfeld insistently parodied objects of desire by Sarah James

    • Interview

      Künstlerinnen International

      In 1977 a groundbreaking survey exhibition of female artists, Künstlerinnen International 1877–1977, opened at Berlin’s Schloss Charlottenburg. The show was quickly met with a hostile reception before being just as quickly forgotten – even in the annals of feminist art history. In 2012, artist and musician Michaela Melián made a video installation featuring a conversation with artist Sarah Schumann and writer Silvia Bovenschen, who were instrumental in realizing the exhibition. Here, frieze d/e publishes an edited transcript of their conversation. Accompanying it are interviews with Melián herself and with three members of the feminist group ff: artists Mathilde ter Heijne, Antje Majewski and Juliane Solmsdorf. Looking back today, how important was that show? Over the past four decades, what has changed in the relationship between feminism and art? by frieze d/e

    • Monograph

      Wo der Mensch herkommt

      Cosmic comedy, human sludge and the tragic-ridiculous: the paintings of Norbert Schwontkowski by Jörg Heiser

    • Monograph

      Im Stillen Teilen

      Natascha Sadr Haghighian’s works record and refract the mechanisms of power by Martin Herbert

    • Focus

      Andy Boot

      Patterns, relations and planes of reference by Kari Rittenbach

    • Focus

      Natalie Häusler

      Painting, poetry and measuring movement by Jennifer Allen

    • Focus

      Marta Riniker-Radich

      Multicoloured Modernism and sci-fi suburbia by Quinn Latimer

    • Essay

      Kalifornication

      Tracing the ideas that travelled from Germany to the deserts of Southern California, and, eventually, to define the spirit of 1960s counterculture. The remarkable story of the LA Nature Boys by Lyra Kilston

    • Das Ding

      Carsten Nicolai: Hocker

      Choose a single object of special significance from your working or living environment by Carsten Nicolai

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