Does Berlin Need a New Art School?
Statements and sketches by 30 artists, writers, teachers and architects
Künstlerinnen International
Reflecting on the groudbreaking feminist show in Berlin in 1977: interviews with Silvia Bovenschen, Sarah Schumann, Michaela Melián, and the ff collective
Full Disclosure
Natascha Sadr Haghighian’s works record and refract the mechanisms of power
by Martin Herbert
Kalifornication
Tracing the ideas that travelled from Germany to the deserts of Southern California and eventually influenced 1960s counterculture. The remarkable story of the LA Nature Boys
by Lyra Kilston
Logistics
Off the Clock
Bettina Pousttchi explains why she travels around the world photographing clocks
House of Dada
From his early Dada and Surrealist photomontages to his later New York fashion shoots, Erwin Blumenfeld insistently parodied objects of desire
by Sarah James
Blog
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By Christina Zück
BOSTON, 15. April: (EDITOR'S NOTE: THIS IMAGE CONTAINS GRAPHIC CONTENT) Bystanders help an injured woman at the scene of the first explosion on Boylston Street near the finish line of the 117th Boston Marathon. (Photo by…
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Interview
Künstlerinnen International
In 1977 a groundbreaking survey exhibition of female artists, Künstlerinnen International 1877–1977, opened at Berlin’s Schloss Charlottenburg. The show was quickly met with a hostile reception before being just as quickly forgotten – even in the annals of feminist art history. In 2012, artist and musician Michaela Melián made a video installation featuring a conversation with artist Sarah Schumann and writer Silvia Bovenschen, who were instrumental in realizing the exhibition. Here, frieze d/e publishes an edited transcript of their conversation. Accompanying it are interviews with Melián herself and with three members of the feminist group ff: artists Mathilde ter Heijne, Antje Majewski and Juliane Solmsdorf. Looking back today, how important was that show? Over the past four decades, what has changed in the relationship between feminism and art? by frieze d/e
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Monograph
House of Dada
From his early Dada and Surrealist photomontages to his later New York fashion shoots, Erwin Blumenfeld insistently parodied objects of desire by Sarah James
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Frieze d/e
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'Curated by Curates' an interview with the director of Kolumba, Cologne http://t.co/epkjoeFbYa
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Bettina Pousttchi explains why she travels around the world photographing clocks http://t.co/lgtRK3BgjF
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Daniel Pies's review of Alisa Margolis at Galerie Reinhard Hauff, Stuttgart http://t.co/RM9lNji10a
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Süddeutsche Zeitung: Catrin Lorch über Künstlerinnen International in frieze d/e http://t.co/FjUZOTYDXX
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Jury for 55th Venice @la_Biennale announced: Jessica Morgan, Sofía Hernández Chong Cuy, Francesco Manacorda, Bisi Silva and Ali Subotnick
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"Kunst von Frauen, vor allem auch älteren, hat Konjunktur" - Catrin Lorch heute in der Süddeutschen anlässlich des...
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frieze d/e blog: Christina Zück über Bildpolitik nach Boston http://t.co/vHP0tWK4kQ
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